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Glass Place Mat : Anne Stanley (c. 1725-1803) later Lady Mendip, 1755 (oil on canvas)
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Anne Stanley (c. 1725-1803) later Lady Mendip, 1755 (oil on canvas)
BAL7729 Anne Stanley (c.1725-1803) later Lady Mendip, 1755 (oil on canvas) by Reynolds, Joshua (1723-92); 93x72.4 cm; Private Collection; (add.info.: married Welbore Ellis, 1765, afterwards Baron Mendip; ); English, out of copyright
Media ID 12818163
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Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 19.5cm x 25.4cm (7.7" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
EDITORS COMMENTS
This portrait captures the elegance and allure of Anne Stanley, later known as Lady Mendip. Painted in 1755 by renowned artist Joshua Reynolds, this oil on canvas print showcases Anne's timeless beauty and aristocratic charm. Anne Stanley, born around 1725, was a woman of high social standing. She would go on to marry Welbore Ellis in 1765, who later became Baron Mendip. The painting depicts her in a half-length pose, wearing an exquisite masquerade dress adorned with ribbons that cascade down her figure. Her attire is complemented by a delicate lace choker and a single pearl earring that adds a touch of sophistication. Reynolds masterfully captures the softness of Anne's features and the sparkle in her eyes. Every brushstroke brings out her gracefulness and poise, making it evident why she was considered one of society's most esteemed ladies during this period. Measuring at 93x72.4 cm, this private collection piece has been preserved through time for art enthusiasts to admire its historical significance and artistic brilliance. As you gaze upon this remarkable portrait print from Fine Art Finder via www. bridgemanimages. com, you are transported back to an era where aristocracy reigned supreme – where beauty met privilege with every stroke of Reynolds' brush.
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