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Glass Place Mat : The Riding Crop, c. 1925 (bronze) (see also 940323)
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The Riding Crop, c. 1925 (bronze) (see also 940323)
940322 The Riding Crop, c.1925 (bronze) (see also 940323) by Zach, Bruno (1891-1935); height: 82 cm; Private Collection; Photo © Christies Images
Media ID 25458762
© Christie's Images / Bridgeman Images
Bare Breasts Bondage Discipline Erotic Fetish Figurine Mistress Riding Crop Risque Statuette Stockings Underwear Whip Punishment
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 22.5cm x 25.4cm (8.9" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This photograph showcases "The Riding Crop" a bronze sculpture created by the talented artist Zach, Bruno (1891-1935) around 1925. Standing at an impressive height of 82 cm, this exquisite piece is held in a private collection, making it a rare find for art enthusiasts. The sculpture itself portrays an erotic scene from the 1920s, capturing the essence of that vibrant era. A female figure dominates the composition, dressed provocatively in stockings and underwear while holding a riding crop with authority. The image evokes themes of discipline, bondage, fetishism, and dominance. With its risqué subject matter and attention to detail, "The Riding Crop" challenges societal norms and explores sensuality through art. The bare breasts of the female figure add an element of vulnerability to her dominant position as she assumes the role of mistress or dominatrix. Bridgeman Images has expertly captured this thought-provoking artwork in their photo print. The black and white tones enhance its timeless appeal while allowing viewers to appreciate every intricate detail on display. Whether you are drawn to its artistic merit or intrigued by its provocative nature, "The Riding Crop" serves as a testament to both Zach's skill as a sculptor and his willingness to push boundaries within his work.
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