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Glass Place Mat : A Bath Coach, aquatinted by George Hunt (fl. 1820-40) published 1820 (aquatint)

A Bath Coach, aquatinted by George Hunt (fl. 1820-40) published 1820 (aquatint)



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A Bath Coach, aquatinted by George Hunt (fl. 1820-40) published 1820 (aquatint)

XYC243132 A Bath Coach, aquatinted by George Hunt (fl.1820-40) published 1820 (aquatint) by Alken, Henry Thomas (1785-1851); 27.3x34.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Media ID 12769704

© www.bridgemanart.com

Horse And Carriage Rain Raining Umbrella Umbrellas Regency


Glass Place Mat (Set of 4)

Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.

Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available

Estimated Image Size (if not cropped) is 25.4cm x 19.6cm (10" x 7.7")

Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")

These are individually made so all sizes are approximate


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> Fine Art Finder > Artists > Henry Thomas Alken

> Fine Art Finder > Coaching Scenes


EDITORS COMMENTS
This aquatint print, titled "A Bath Coach" takes us back to the early 19th century when horse-drawn carriages were a common mode of transportation. Created by George Hunt and published in 1820, this artwork showcases the skilled craftsmanship of Henry Thomas Alken. The scene depicted is both lively and atmospheric. As rain pours down from the darkened sky, we witness a group of people seeking shelter under their umbrellas while waiting for their coach. The wet cobblestone street glistens with reflections, adding an element of realism to the composition. The artist's attention to detail is remarkable; every carriage wheel and horse harness is intricately rendered. This print transports us back in time to an era characterized by elegance and refinement - the Georgian period or Regency era. It's fascinating how this piece captures not only a moment but also conveys a sense of movement and anticipation. One can almost hear the clip-clop sound of hooves on pavement as we imagine these travelers embarking on their journey through picturesque English countryside. Now part of Yale Center for British Art's Paul Mellon Collection in the USA, this exquisite aquatint invites us to appreciate not only its artistic merit but also its historical significance. It serves as a reminder that even amidst inclement weather, life goes on – journeys are undertaken, adventures unfold, and stories are written along those rainy roads traveled by horse-drawn coaches.

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