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Glass Place Mat : The Denial of St. Peter, 1650 (oil on canvas)
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The Denial of St. Peter, 1650 (oil on canvas)
XIR6279 The Denial of St. Peter, 1650 (oil on canvas) by Tour, Georges de la (1593-1652); 120x160 cm; Musee des Beaux-Arts, Nantes, France; (add.info.: Le Reniement de Saint Pierre; ); French, out of copyright
Media ID 12920929
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Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 19.2cm (10" x 7.6")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
The Denial of St. Peter, 1650
EDITORS COMMENTS
is a captivating oil painting by Georges de la Tour that depicts a significant biblical event with remarkable detail and emotion. In this powerful artwork, we witness the heart-wrenching moment when St. Peter denies his association with Jesus Christ three times before the rooster crows. The composition of the painting draws our attention to the central figures: St. Peter and the soldier who accuses him. De la Tour's masterful use of light and shadow creates a dramatic atmosphere, highlighting their expressions and gestures. The anguish on St. Peter's face is palpable as he realizes the weight of his betrayal, while the stern gaze of the soldier adds tension to the scene. Measuring 120x160 cm, this masterpiece can be found at Musee des Beaux-Arts in Nantes, France. Its timeless beauty continues to captivate viewers centuries after its creation. "The Denial of St. Peter" serves as a poignant reminder of human fallibility and redemption within religious narratives. It invites contemplation on themes such as guilt, forgiveness, and personal transformation – universal concepts that resonate across cultures and time periods. This print from Fine Art Finder allows art enthusiasts worldwide to appreciate every brushstroke and nuance in this iconic work by Georges de la Tour without leaving their homes or offices.
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