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Glass Place Mat : English converts to Rome including Newman, skating on thin ice while, on left
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English converts to Rome including Newman, skating on thin ice while, on left
538781 English converts to Rome including Newman, skating on thin ice while, on left, Pusey and his Anglo-Catholic Ritualistic friends test the ice before committing themselves. John Tenniel cartoon from Punch London 1869. by Tenniel, John (1820-1914); Universal History Archive/UIG; English, out of copyright
Media ID 22369710
© Universal History Archive/UIG / Bridgeman Images
1869 Anglican Committing Converts Friends Including John Left Newman Punch Ritualistic Skating Tenniel Test Thin Anglo Catholic Pusey
Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 25.4cm x 15.3cm (10" x 6")
Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
In this print titled "English converts to Rome including Newman, skating on thin ice while, on the left, Pusey and his Anglo-Catholic Ritualistic friends test the ice before committing themselves" we are transported back to London in 1869. The renowned cartoonist John Tenniel masterfully captures a moment of religious tension and uncertainty. The image depicts a frozen lake as a metaphorical representation of the delicate balance between different branches of Christianity during that time. On one side, we see English converts to Roman Catholicism led by Newman cautiously gliding across the icy surface. Their decision to embrace the Roman faith is portrayed as daring and risky. On the other side of the lake, Pusey and his group of Anglo-Catholic Ritualistic friends can be seen tentatively testing the strength of the ice before fully committing themselves. This symbolizes their hesitation in embracing Roman Catholicism completely. Tenniel's cartoon from Punch magazine not only showcases his artistic brilliance but also serves as a commentary on religious conversion and its consequences within society. It highlights how individuals were grappling with questions of faith and loyalty during this period. This thought-provoking image reminds us that religion has always been an intricate tapestry interwoven with personal beliefs, societal expectations, and historical context. It invites us to reflect upon our own journeys in matters of faith while appreciating Tenniel's ability to capture such complex themes through artistry alone.
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