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Glass Place Mat : Mephistopheles Prologue in the Sky, from Goethes Faust, 1828, (illustration)
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Mephistopheles Prologue in the Sky, from Goethes Faust, 1828, (illustration)
XJF61648 Mephistopheles Prologue in the Sky, from Goethes Faust, 1828, (illustration), (b/w photo of lithograph) by Delacroix, Ferdinand Victor Eugene (1798-1863); Private Collection; French, out of copyright
Media ID 12810411
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Glass Place Mat (Set of 4)
Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.
Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available
Estimated Image Size (if not cropped) is 20.8cm x 25.4cm (8.2" x 10")
Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")
These are individually made so all sizes are approximate
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EDITORS COMMENTS
This black and white lithograph, titled "Mephistopheles Prologue in the Sky" transports viewers into the dark realms of Goethe's Faust. Created by Ferdinand Victor Eugene Delacroix in 1828, this illustration captures the essence of evil and temptation. The central figure depicted is Mephistopheles, a flying demon with imposing wings that dominate the composition. With an aura of malevolence surrounding him, he embodies both power and deceit. His presence evokes a sense of foreboding as he hovers above the earthly realm. Delacroix's masterful use of light and shadow adds depth to this haunting scene. The contrast between darkness and light intensifies Mephistopheles' sinister nature while also highlighting his ethereal qualities. Displayed against a backdrop reminiscent of stormy skies, this artwork perfectly encapsulates Goethe's exploration of human desires and their consequences. It serves as a visual representation of mankind's eternal struggle between good and evil. Currently held in a private collection, this remarkable piece can be found at Bibliothèque des Beaux-Arts in Paris. Its timeless appeal continues to captivate audiences today, reminding us that even within art we can find glimpses into our own inner battles with temptation and morality.
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