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Glass Place Mat : Portrait of a woman in white: Lu Meiniang (ink and colour on silk)

Portrait of a woman in white: Lu Meiniang (ink and colour on silk)



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Portrait of a woman in white: Lu Meiniang (ink and colour on silk)

FSG325270 Portrait of a woman in white: Lu Meiniang (ink and colour on silk) by Chinese School, Yuan Dynasty (1279-1368); 198.1x58.4 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Traditionally attributed to Me Chong (fl.c.1078-85); ); Freer Gallery of Art, Smithsonian Institution; Gift of Charles Lang Freer; Chinese, out of copyright

Media ID 23207266

© Freer Gallery of Art, Smithsonian Institution Gift of Charles Lang Freer / Bridgeman Images

Ascetic Craftsperson Craftswomen Daoism Daoist Embroidery Sewing Taoism Taoist


Glass Place Mat (Set of 4)

Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.

Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available

Estimated Image Size (if not cropped) is 9.1cm x 25.4cm (3.6" x 10")

Estimated Product Size is 22.5cm x 27.5cm (8.9" x 10.8")

These are individually made so all sizes are approximate


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > Eastern Zhou Dynasty Chinese School

> Fine Art Finder > Artists > Yuan Dynasty Chinese School

> Fine Art Finder > Chinese & Korean Art

> Arts > Artists > W > Charles White

> Historic > Ancient civilizations > Chinese Dynasties

> Historic > Chinese dynasties paintings

> Popular Themes > Religious Images


EDITORS COMMENTS
This portrait, titled "Portrait of a woman in white: Lu Meiniang" is a stunning example of Chinese art from the Yuan Dynasty. Painted with ink and color on silk, this masterpiece measures an impressive 198.1x58.4 cm and is housed at the Freer Gallery of Art, Smithsonian Institution in the USA. The subject of this painting is believed to be Lu Meiniang, although it has also been traditionally attributed to Me Chong. Dressed in pure white attire, she exudes an aura of serenity and grace. The intricate details captured by the artist highlight her delicate features and emphasize her ethereal beauty. Lu Meiniang's role as a craftswoman is evident through her expertly embroidered garments, showcasing both her skill and dedication to her craft. This portrayal hints at the importance of female artisans during that era. Steeped in religious symbolism, this artwork alludes to Daoism (Taoism), one of China's major religions. Lu Meiniang's ascetic appearance suggests devotion to spiritual practices associated with Daoist beliefs. As we gaze upon this mesmerizing image, we are transported into a realm where myth intertwines with reality. It serves as a testament to the rich cultural heritage and artistic prowess of ancient China while offering us glimpses into their spiritual world. With its profound depth and timeless beauty, "Portrait of a woman in white: Lu Meiniang" continues to captivate viewers even today—a true testament to

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