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Glass Place Mat : Gaza, March 21st 1839, plate 59 from Volume II of The Holy Land, engraved by Louis Haghe

Gaza, March 21st 1839, plate 59 from Volume II of The Holy Land, engraved by Louis Haghe



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Gaza, March 21st 1839, plate 59 from Volume II of The Holy Land, engraved by Louis Haghe

XCF87232 Gaza, March 21st 1839, plate 59 from Volume II of The Holy Land, engraved by Louis Haghe (1806-85) pub. 1843 (litho) by Roberts, David (1796-1864) (after); 34.5x34.6 cm; Private Collection; English, out of copyright

Media ID 12941552

© www.bridgemanart.com

Minarets Orientalist Plains Volume 2


Glass Place Mat (Set of 4)

Set of 4 Glass Place Mats. Stylish and elegant polished safety glass, toughened and heat resistant (275x225mm, 7mm thick). Matching Coasters also available.

Set of 4 Glass Place Mats. Elegant polished safety glass and heat resistant. Matching Coasters may also be available

Estimated Image Size (if not cropped) is 25.4cm x 17.5cm (10" x 6.9")

Estimated Product Size is 27.5cm x 22.5cm (10.8" x 8.9")

These are individually made so all sizes are approximate


FEATURES IN THESE COLLECTIONS

> Fine Art Finder > Artists > David (after) Roberts

> Fine Art Finder > Middle East


EDITORS COMMENTS
This photo print, titled "Gaza, March 21st 1839" takes us on a journey back in time to the Holy Land. Engraved by the talented Louis Haghe and based on an original work by David Roberts, this piece is a true testament to their artistic prowess. The image showcases plate 59 from Volume II of The Holy Land, published in 1843. With its dimensions measuring at 34.5x34.6 cm, it captures the essence of Gaza with remarkable detail and precision. As we gaze upon this landscape, we are transported to a world filled with ancient ruins and minarets that punctuate the horizon. The town itself emerges amidst vast plains, creating a sense of both grandeur and desolation. There is an unmistakable orientalist charm present in this artwork - a reflection of the fascination that Western artists held for Eastern cultures during this period. It serves as a reminder of how art can bridge cultural divides and transport us to distant lands. Currently housed in a private collection, this print offers viewers an opportunity to appreciate not only its aesthetic beauty but also its historical significance. As we admire each brushstroke and lithographic detail, let us be reminded of the rich tapestry that makes up our shared human history.

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