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Glass Frame : I am Half Sick of Shadows, said the Lady of Shalott (1915). Illustration of Tennyson s
Mounted Prints from Universal Images Group (UIG)
I am Half Sick of Shadows, said the Lady of Shalott (1915). Illustration of Tennyson s
I am Half Sick of Shadows, said the Lady of Shalott (1915). Illustration of Tennysons poem of Arthurian legend showing the Lady of Shallot bored with her weaving. Beside her is the window she will look through and fall fatally in love with Sir Lancelot. John William Waterhouse (1849-1917) English painter. Musee des Beaux Arts de l Ontario, Canada
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Media ID 9764591
© Universal History Archive/Universal Images Group
1915 Beaux Canada Fall Half John Lady Legend Literature Loom Love Musee Ontario Painter Poem Poetry Shadows Shallot Sick Tennyson Textiles Waterhouse Weaving William Window Arthurian Bored Fatally Lancelot Shalott
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
The captivating print of "I am Half Sick of Shadows, said the Lady of Shalott (1915)" transports us into the realm of Arthurian legend, as depicted by renowned English painter John William Waterhouse. The illustration beautifully captures a pivotal moment from Tennyson's poem, where we find the Lady of Shallot growing weary and disenchanted with her monotonous weaving. In this evocative image, the lady sits beside her loom, surrounded by intricate textiles that showcase her talent but fail to ignite her spirit. Her gaze is fixed upon a window through which she will soon catch sight of Sir Lancelot—a fateful encounter that will lead to both love and tragedy. Waterhouse masterfully portrays the lady's longing and restlessness through his use of light and shadow. The play between darkness and illumination mirrors her inner turmoil as she contemplates breaking free from her confined existence. Displayed at Musee des Beaux Arts de l'Ontario in Canada, this artwork serves as a timeless reminder of the power literature holds over our imagination. It invites us to delve into Tennyson's poetic world while appreciating Waterhouse's skillful interpretation. As we observe this poignant scene frozen in time, we are reminded that even within legends and myths lie universal themes—such as yearning for change or grappling with unrequited love—that resonate across time and cultures.
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