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Glass Frame : House above the cliff at the back of Bessies Cove, Prussia Cove, St Hilary, Cornwall. Around 1925

House above the cliff at the back of Bessies Cove, Prussia Cove, St Hilary, Cornwall. Around 1925



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Royal Cornwall Museum

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House above the cliff at the back of Bessies Cove, Prussia Cove, St Hilary, Cornwall. Around 1925

Prussia Cove is named after a smuggler, John Carter, who referred to himself as the King of Prussia. The house was inhabited for years by smugglers and replaced Kiddlewink on the cliff kept by Bessie Burrow, after whom Bessies Cove is named. Glass lantern slide from a lecture, entitled Some Historic Cornish Beauty Spots, given by Cornishman and amateur photographer, Major Arthur William Gill, in around 1925. He was well known in Cornwall and elsewhere during the 1920s and 1930s for his presentations of stills and cine film to many groups including The Royal Institution of Cornwall, Royal Cornwall Polytechnic Society and the London Cornish Society. The quarter plate slides which he took prolifically with his ordinary camera are, in many cases, colour. These were painted by his own hand to great effect

Royal Cornwall Museum is the UK's Greatest Museum For Cornish Life & Culture

TRURI : 1990.2.12.86

Media ID 12082592

© From the collection of the RIC


8"x6" Glass Mount

Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.

Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand

Estimated Image Size (if not cropped) is 15.2cm x 20.3cm (6" x 8")

Estimated Product Size is 17.7cm x 22.8cm (7" x 9")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Animals > Fishes > G > Grouper

> Architecture > Great Houses

> Arts > Artists > C > John Carter

> Europe > United Kingdom > England > Cornwall > Related Images

> Europe > United Kingdom > England > Cornwall > St Hilary

> Europe > United Kingdom > England > Cornwall > St John

> Europe > United Kingdom > England > London > Art > Film

> Europe > United Kingdom > England > London > Fashion

> Europe > United Kingdom > England > London > Politics > John Major

> Europe > United Kingdom > England > London > Related Images

> Royal Cornwall Museum > Places > St Hilary


EDITORS COMMENTS
This print captures the enchanting house perched above the cliff at the back of Bessies Cove, Prussia Cove in Cornwall, around 1925. The history surrounding this picturesque location adds an intriguing layer to its beauty. Prussia Cove itself derives its name from a notorious smuggler named John Carter, who fancied himself as the King of Prussia. For years, this very house served as a sanctuary for smugglers who roamed these treacherous shores. It replaced Kiddlewink on the cliff and was lovingly kept by Bessie Burrow, after whom Bessies Cove is now named. The rugged charm of this coastal dwelling perfectly complements the wild landscape that surrounds it. The glass lantern slide capturing this scene was part of Major Arthur William Gill's lecture series titled "Some Historic Cornish Beauty Spots". Major Gill, a respected Cornishman and amateur photographer during the 1920s and 1930s, gained recognition for his presentations featuring both still images and cine films. His quarter plate slides were taken prolifically with his ordinary camera and often hand-painted by him to enhance their visual impact. Today, this photograph stands as a testament to Cornwall's rich history and natural allure. Its vibrant colors evoke a sense of nostalgia while showcasing one of Cornwall's hidden gems. This image serves as a reminder that even amidst tumultuous times like smuggling eras past or present-day challenges faced globally - beauty can always be found in unexpected places if

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