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Glass Frame : US Vice President Spiro Agnew seen here at Tan Son Nhut Air Base
Mounted Prints from Memory Lane
US Vice President Spiro Agnew seen here at Tan Son Nhut Air Base
US Vice President Spiro Agnew seen here at Tan Son Nhut Air Base, Saigon at the start of his visit to South Vietnam shortly after the signing of the Paris Peace Accords 2nd February 1973
Peter Stone
Daily Mirror
Mirrorpix
Saigon
Vietnam
DM 73 -1040
Media ID 21847766
© Mirrorpix
Air Force Asia Republican Seventies Vietnam 1973
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
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Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a significant moment in history as US Vice President Spiro Agnew arrives at Tan Son Nhut Air Base, Saigon. The image, taken by renowned photographer Peter Stone in February 1973, showcases the beginning of Agnew's visit to South Vietnam shortly after the signing of the Paris Peace Accords. In this snapshot from the 1970s, we witness Agnew's presence amidst an atmosphere charged with political and military significance. As a prominent Republican politician during that era, his visit holds great importance for both domestic and international audiences. The backdrop of Tan Son Nhut Air Base adds to the gravity of the scene. This strategic airbase served as a crucial hub for American military operations throughout the Vietnam War. Its inclusion in this photograph symbolizes not only America's involvement but also its commitment to supporting South Vietnam during these tumultuous times. With Asia serving as a focal point for global politics during this period, Agnew's visit underscores America's continued engagement in shaping events on foreign soil. His presence here signifies diplomatic efforts aimed at maintaining stability and peace following years of conflict. Peter Stone's masterful capture transports us back to an era defined by intense political maneuvering and military action. It serves as a powerful reminder of how historical moments can be encapsulated within one frame—a testament to both Stone's skill behind the lens and Agnew's role on the world stage.
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