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Glass Frame : John Aspinall with a gorilla in cage of Howletts Zoo December 1997
Mounted Prints from Memory Lane
John Aspinall with a gorilla in cage of Howletts Zoo December 1997
John Aspinall with a gorilla in cage of Howletts Zoo
December 1997
Mike Moore
mirrorpix
Hertfordshire
United Kingdom
GL*987843
Media ID 21384007
© Mirrorpix
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
In this print titled "John Aspinall with a gorilla in the cage of Howletts Zoo, December 1997" we are transported back to the heartwarming encounter between man and beast. The image captures an extraordinary moment frozen in time, showcasing the deep connection that can exist between humans and animals. John Aspinall, renowned for his passion for wildlife conservation, stands confidently beside a magnificent gorilla within the confines of Howletts Zoo. Their eyes meet, revealing a profound understanding and mutual respect. It is as if they share an unspoken language that transcends barriers. The setting itself exudes both awe and curiosity. The sturdy bars of the cage remind us of the delicate balance between preserving these incredible creatures while ensuring their safety. Yet, there is an undeniable sense of harmony present here - a testament to John Aspinall's tireless efforts in creating sanctuaries where endangered species could thrive. As we delve deeper into this snapshot from December 1997, it becomes clear that it represents more than just a fleeting interaction; it encapsulates humanity's responsibility towards our animal counterparts. Through Mike Moore's lens, we witness not only John Aspinall's dedication but also our collective duty to protect and cherish all living beings on this planet. This print serves as a poignant reminder that even amidst captivity or adversity, there exists boundless beauty when compassion bridges the gap between different worlds – reminding us all to embrace our shared existence with love and empathy.
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