Glass Frame > Arts > Artists > P > Giuseppe Pellizza da Volpedo
Glass Frame : PELLIZZA DA VOLPEDO, Giuseppe (1868-1901). The
Mounted Prints from Mary Evans Picture Library
PELLIZZA DA VOLPEDO, Giuseppe (1868-1901). The
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 8274751
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10682974
Brera Estate Fourth Giuseppe Milan Naturalism Naturalist Oils Paintings Pictures Pinacotheca Proletarian Proletarians Proletariat Worker
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This image showcases the masterpiece "The Fourth Estate of the Kingdom of Italy" by the renowned Italian painter, Giuseppe Pellizza da Volpedo (1868-1901). Painted in oil on canvas, this naturalist work is a seminal piece in the history of Italian art and a powerful representation of the social and political climate of the late 19th century. Born in Volpedo, near Novara in Piedmont, Italy, Pellizza da Volpedo was a leading figure in the Naturalist movement, which sought to portray the raw realities of working-class life. In this painting, he depicts a group of proletarian workers in the foreground, their faces etched with the toil and hardship of their labor. The central figure, with his raised fist, symbolizes the collective strength and solidarity of the working class. The painting's title, "The Fourth Estate of the Kingdom of Italy," refers to the idea that the working class was the fourth estate, alongside the clergy, nobility, and bourgeoisie. This concept was particularly relevant during the period of political and social upheaval in Italy, as the country was transitioning from a monarchy to a republic. This stunning detail from the painting, held in the Brera Pinacoteca in Milan, Italy, invites us to reflect on the enduring power of art to capture the essence of a moment in history and to challenge us to consider the social and political issues of our own time.
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