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Glass Frame : King Alis tent at Benowm, Kingdom of Ludamar
Mounted Prints from Mary Evans Picture Library
King Alis tent at Benowm, Kingdom of Ludamar
View of a moorish camp: King Alis tent at Benowm, Kingdom of Ludamar. Ali sat on a black leather cushion clipping the hairs on his upper lip while a female servant held a mirror. From Mungo Parks Travels in the Interior of Africa. Copperplate engraving by Dell Acqua handcoloured by Lazaretti from Giovanni Battista Sonzognos Collection of the Most Interesting Voyages (Raccolta de Viaggi Piu Interessanti), Milan, 1815-1817
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 23208656
© Florilegius/Mary Evans
Camel Caravan Cushion Dellacqua Desert Lazaretti Leather Moorish Moors Mungo Muslim Sahara Tent Travels
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This image, taken from Mungo Park's "Travels in the Interior of Africa," showcases the grandeur of King Ali's tent at Benowm, in the Kingdom of Ludamar, nestled amidst the vast expanse of the Sahara Desert. The Moorish camp, with its distinctive Islamic architectural influences, is a striking contrast against the arid landscape. King Ali, dressed in regal attire, sits on a sumptuous black leather cushion, meticulously clipping the hairs on his upper lip in the mirror held by a female servant. The serene expression on his face reflects the calm and collected demeanor of a powerful ruler. In the background, a caravan of camels laden with goods can be seen, symbolizing the bustling trade activities that thrived in this part of Africa. The intricate details of the tent, from its ornate patterns to the delicate fringes, are a testament to the rich cultural heritage of the Moors. The copperplate engraving by Dell Acqua, hand-colored by Lazaretti, beautifully captures the essence of this moment in time, transporting us back to the 19th century and the fascinating world of African explorations.
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