Glass Frame > Popular Themes > Breugel
Glass Frame : Garland with the Virgin
Mounted Prints from Mary Evans Picture Library
Garland with the Virgin
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 8259557
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10208227
1568 1625 Breugel Bruegel Called Elder Garland Velvet Virgin Aisa
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This exquisite velvet print, titled "Garland with the Virgin," is a historical masterpiece created by the renowned Flemish painter Peter Bruegel the Elder in 1568. The artwork, which measures approximately 115 x 100 centimeters, is a testament to the artistic brilliance of the sixteenth century. The image showcases the Virgin Mary, holding the infant Jesus, surrounded by a lush garland of fruits and flowers. The intricate details of the fruits and flowers are rendered with exceptional realism, showcasing Bruegel's mastery of the medium. The elder Bruegel, who was born in 1525, was a leading figure in the Flemish art scene and is known for his genre paintings that depicted everyday life. This work, however, represents a departure from his usual themes, as it is a devotional image. The use of a garland as a symbol of abundance and prosperity, combined with the religious subject matter, highlights the artist's ability to blend various artistic traditions and themes in his work. The print, which is part of the collection of the Asian Art Museum in San Francisco, is an import from Europe and is a valuable addition to the museum's holdings. It is a reminder of the rich artistic heritage that spans continents and centuries, and serves as a testament to the enduring power of art to transcend cultural and temporal boundaries. The velvet texture of the print adds an extra layer of visual interest, making it a striking and captivating work of art that continues to inspire awe and admiration. The intricate details of the fruits and flowers, combined with the serene expression of the Virgin Mary and the innocent gaze of the infant Jesus, make this a must-see work for anyone interested in art history or the history of religious art.
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