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Glass Frame : Gambian native chief
Mounted Prints from Mary Evans Picture Library
Gambian native chief
British administrator interviews a native chief in the Gambia Date: 1889
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 4305327
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10001861
Administrator Chief Drum Gambia Gambian Interviews Natives Xylophone
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print from 1889 captures a significant moment in Gambian history as a British administrator conducts an interview with a native chief. The image provides a glimpse into the interactions between colonial powers and indigenous leaders during the 19th century, shedding light on the complexities of power dynamics and cultural exchange in Africa.
The native chief, adorned in traditional attire, exudes authority and dignity as he engages with the British administrator. His expression is stoic yet curious, reflecting both pride in his heritage and wariness of foreign influence. In contrast, the British official appears attentive and respectful, perhaps recognizing the importance of building relationships with local leaders for effective governance.
In the background, we see glimpses of Gambian culture through instruments like drums and xylophones, hinting at rich traditions that have endured despite colonial interventions. The juxtaposition of these elements underscores the intricate tapestry of history that continues to shape contemporary Gambia.
As viewers reflect on this poignant scene frozen in time, they are reminded of the complexities inherent in colonial encounters and how they continue to impact societies today. This print serves as a powerful reminder of our shared past and challenges us to consider how we can learn from it to create a more equitable future for all.
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