Glass Frame : Francesco Bartolozzi
Mounted Prints from Mary Evans Picture Library
Francesco Bartolozzi
FRANCESCO (FRANCIS) BARTOLOZZI (1727 - 1815) Italian artist and engraver in England
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14288779
© Mary Evans Picture Library
1727 1815 Bartolozzi Engraver Francesco Francis
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
1. Title: "Francesco Bartolozzi at Work: A Pioneering Italian Artist and Engraver in 18th Century England" Francesco Bartolozzi (1727-1815), born in Italy, is a captivating figure in the history of art and printmaking. This evocative image, depicting the artist deeply engrossed in his work, offers a glimpse into the life of this pioneering Italian artist and engraver who made a significant mark in England during the 18th century. Bartolozzi was a prodigious talent, known for his exceptional skill in mezzotint engraving, a technique that allowed him to create rich, tonal prints with remarkable detail and depth. His work was highly sought after by collectors and connoisseurs, and he gained the patronage of many prominent figures, including King George III. The serene atmosphere of this image reveals Bartolozzi's intense focus and dedication to his craft. Surrounded by his tools and materials, he meticulously works on a print, his brow furrowed in concentration. The soft, diffused light filtering through the window casts an ethereal glow on the scene, emphasizing the artist's solitary pursuit of perfection. Bartolozzi's time in England marked a pivotal moment in the history of printmaking. He not only introduced the mezzotint technique to the country but also played a crucial role in popularizing the art of print collecting. His influence extended beyond the realm of printmaking, as he collaborated with many notable artists of the time, including Joshua Reynolds and Thomas Gainsborough, to produce engravings based on their paintings. This image serves as a poignant reminder of Bartolozzi's enduring legacy as a trailblazing artist and engraver who bridged the gap between Italy and England, enriching both countries' artistic traditions.
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