Glass Frame > Arts > Artists > Rembrandt van Rijn > Biblical themes in art
Glass Frame : Ecce Homo, 1655, by Rembrandt (1606-1669)
Mounted Prints from Mary Evans Picture Library
Ecce Homo, 1655, by Rembrandt (1606-1669)
Rembrandt Harmenszoon van Rijn (1606-1669). Dutch painter. Ecce Homo, 1655. Rijksmuseum. Amsterdam. Holland
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14335128
© Thaliastock / Mary Evans
1655 Amsterdam Baroque Biblical Christ Drypoint Ecce Etching Harmenszoon Holland Homo Jesus Netherlandish Netherlands Passion Rembrandt Rijksmuseum Rijn Pilates
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 20.3cm x 15.2cm (8" x 6")
Estimated Product Size is 22.8cm x 17.7cm (9" x 7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
Ecce Homo," or "Behold the Man," is a powerful and moving work by the renowned Dutch painter and printmaker, Rembrandt Harmenszoon van Rijn. Created in 1655, this masterpiece is currently housed in the prestigious Rijksmuseum in Amsterdam, Holland. The painting depicts a scene from the New Testament, specifically the moment when Jesus Christ, wearing a crown of thorns and carrying the cross, is presented to the crowd by Pontius Pilate. Rembrandt's interpretation of this biblical story is both dramatic and emotive. The use of chiaroscuro, or strong contrasts between light and dark, adds depth and texture to the image, bringing the figures to life. The etching technique, which involves using a sharp tool to incise lines into a metal plate, allows for intricate detail and nuanced shading. The crowd in the painting is a fascinating study of human emotion and reaction. Some faces are filled with shock and disbelief, while others are filled with anger and hatred. The contrast between the suffering Christ and the callousness of the crowd adds to the overall sense of tragedy and despair. The title "Ecce Homo" is significant in the context of this work. It is a phrase used by Pontius Pilate when he presented Jesus to the crowd, essentially saying "behold the man" and placing the responsibility for his fate in their hands. This moment is a poignant reminder of the human capacity for both compassion and cruelty, and the power of choice in shaping the course of history. Overall, Rembrandt's "Ecce Homo" is a testament to the artist's mastery of the medium and his ability to convey the complexities of the human condition. It is a work that continues to captivate and inspire viewers, and a reminder of the enduring power of art to provoke thought and reflection.
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