Glass Frame > Arts > Realistic drawings > Still life artwork > Fine art
Glass Frame : Chinese Pig-Bonze
Mounted Prints from Mary Evans Picture Library
Chinese Pig-Bonze
The Chinese bonze Tchou Pa- Kiai is the unhappy victim of an unfortunate mistake during reincarnation, forced to live this life half-pig, half-man
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 606036
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10054579
Bonze Concepts Forced Half Live Mistake Reincarnation Unfortunate Unhappy Victim
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This haunting image captures the plight of Tchou Pa-Kiai, the unfortunate Chinese Bonze, or Buddhist monk, who lived during the early 20th century. The historical photograph, taken in 1914, depicts Tchou Pa-Kiai as an unhappy man, bearing the burden of a tragic mistake during his reincarnation. Born with a unique physical condition, Tchou Pa-Kiai was forced to live half-man, half-pig. This anomaly was a source of great stigma and isolation in Chinese society, where conformity and adherence to traditional norms were highly valued. Despite his spiritual calling as a Bonze, Tchou Pa-Kiai was unable to fully integrate into monastic life due to his distinct appearance. The photograph reveals the depth of Tchou Pa-Kiai's melancholy, as he sits alone, with a pensive expression on his face. His monk's robes are disheveled, and his eyes are downcast, reflecting the weight of his unfortunate circumstances. The contrast between his human and porcine features is striking, adding to the sense of otherworldliness and intrigue. The concept of reincarnation is central to many Eastern religions, including Buddhism, and this photograph offers a rare glimpse into the human side of this belief. Tchou Pa-Kiai's story serves as a poignant reminder of the complexities and challenges that can arise when the spiritual and the physical intersect in unexpected ways. This image, from the extensive collection of Mary Evans Picture Library, offers a unique perspective on Chinese history and culture, and invites viewers to reflect on the universality of human experiences, regardless of physical or societal differences.
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