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Glass Frame : Cartoon, The Bulgarian Cad, WW1
Mounted Prints from Mary Evans Picture Library
Cartoon, The Bulgarian Cad, WW1
Cartoon, The Bulgarian Cad (with a pun on his large nose), showing King Ferdinand of Bulgaria admiring himself in a hand mirror. Date: 1915
Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries
Media ID 14236497
© Mary Evans Picture Library
Admiring Baionnette Bulgaria Bulgarian Caricatures Ferdinand Mirror Nose Powers Shiny Ugly Egotism
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This cartoon, titled "The Bulgarian Cad," dates back to 1915 during the tumultuous period of World War I. The image portrays a caricatured King Ferdinand I of Bulgaria, known for his prominent and distinctive long nose, which has been exaggerated to comedic effect in this illustration. The monarch is shown admiring his reflection in a hand mirror, surrounded by the trappings of royalty - a red, shiny uniform adorned with medals, and a military cap atop his head. The title "Cad" is used with a double meaning in this context, as it refers both to the derogatory term for a man of questionable moral character and to the military term for the sharp, pointed end of a bayonet. This pun adds an extra layer of satire to the cartoon, implying that King Ferdinand's egotism and self-absorption may be as sharp and dangerous as a bayonet. King Ferdinand's involvement in the Central Powers during WWI positioned Bulgaria as a significant player in the conflict, and this cartoon serves as a commentary on the egotistical nature of some of the European leaders at the time. The image is a poignant reminder of the complexities and contradictions of the historical narrative during the First Great War.
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