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Glass Frame : Baroque. Baptism of the eunuch by Rembrandt van Rijn (1606-1
Mounted Prints from Mary Evans Picture Library
Baroque. Baptism of the eunuch by Rembrandt van Rijn (1606-1
Baroque. Baptism of the eunuch by Rembrandt van Rijn (1606-1669), 1626. The apostle Philip baptises a eunuch from Ethiopia. Museum Catharijneconvent. Utrecht. Netherlands
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Media ID 14335403
© Thaliastock / Mary Evans
1626 Apostle Baptism Baroque Catharijneconvent Ethiopia Eunuch Harmenszoon Netherlander Netherlands Painter Philip Rembrandt Rijn Utrecht
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
Baroque. Baptism of the Eunuch by Rembrandt van Rijn (1606-1669): A Spiritual Moment Captured in Time This exquisite 17th-century painting, titled "Baptism of the Eunuch," is a masterpiece by the renowned Dutch artist Rembrandt van Rijn, created in 1626. The painting is currently housed at the Museum Catharijneconvent in Utrecht, Netherlands. The scene portrayed in the painting is taken from the biblical account of the Apostle Philip's encounter with an Ethiopian eunuch, as recorded in the Acts of the Apostles (8:26-39). The eunuch, a high-ranking official in the Ethiopian court, is seen being baptized by Saint Philip in a river. The moment of spiritual transformation is captured with remarkable detail and emotion, as the eunuch's face reveals a sense of awe and reverence, while Philip's expression is one of compassion and grace. The Baroque style, popular during the 17th century in Europe, is characterized by its dramatic use of light, bold colors, and intricate details. Rembrandt masterfully employs these elements in this painting, creating a sense of depth and drama that draws the viewer in. The use of chiaroscuro, or strong contrasts between light and dark, adds to the painting's visual impact and creates a sense of tension and excitement. The painting's historical significance lies not only in its artistic merit but also in its representation of the spread of Christianity beyond Europe, as depicted in the encounter between the European apostle and the Ethiopian eunuch. The painting is a testament to the power of faith and the universal appeal of spiritual transformation.
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