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Glass Frame : Athanasius Kircher (1601 / 16021680). German Jesuit scholar C
Mounted Prints from Mary Evans Picture Library
Athanasius Kircher (1601 / 16021680). German Jesuit scholar C
Athanasius Kircher (1601/16021680) (sometimes erroneously spelled Kirchner). German Jesuit scholar. China Monumentis, qua sacris qua profanis, 1667. Tea Plant
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Media ID 14328474
© Thaliastock / Mary Evans
1667 Agriculture Athanasius Barroque Camelia Cultivated Cultivation Episcopal Jesuit Kircher Kirchner Plantation Scientist Sinensis Studies Monumentis
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
Athanasius Kircher (1601/1602-1680), a German Jesuit scholar, is depicted in this engraving from his seminal work "China Monumentis, qua sacris qua profanis" (Monuments of China, both Sacred and Profane), published in 1667. The image showcases Kircher's extensive knowledge of China, its culture, and its natural wonders. In this particular illustration, he highlights the cultivation of tea, a significant aspect of Chinese agriculture and daily life. The scene is set in an imperial Chinese garden, with a tea plantation in the background. An animal, possibly a monkey, is shown picking tea leaves, while a scholar, dressed in Eastern attire, is seen writing in a book. A European man, identified as Kircher himself, observes the scene with great interest. The Baroque style of the engraving adds an ornate and grandiose touch to the image. Kircher was a polymath who made significant contributions to various fields, including botany, literature, and Oriental studies. His works were widely read in Europe during the modern age, bridging the gap between European and Asian cultures. This engraving is a testament to his extensive research and the impact of his work on the European understanding of China and its customs.
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