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Glass Frame : Antonis Mor - 1

Antonis Mor - 1



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Antonis Mor - 1

ANTONIS MOR - Dutch artist working in England, where he became known as Sir Antony (or Anthony or Antonio) More. Date: 1512 - 1576

Mary Evans Picture Library makes available wonderful images created for people to enjoy over the centuries

Media ID 14098499

© Mary Evans Picture Library

1512 1576 Anthony Antonio Antony Antonis


7"x5" Glass Mount

Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.

Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand

Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")

Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
This stunning portrait captures the enigmatic and sophisticated presence of Antonis Mor (circa 1512-1576), a Dutch artist who rose to prominence in England during the Tudor period. Known variously as Sir Antony, Anthony, or Antonio More, Mor was a master of the Renaissance portrait, blending the artistic traditions of the Netherlands with the cultural influences of his adopted homeland. Born in the Dutch city of Bois-le-Duc, Mor is believed to have studied under the renowned painter Jan van Scorel. His artistic career began in the Netherlands, but it was in England that he would make his greatest mark. Mor's arrival in England is thought to have been around 1550, and he quickly gained the patronage of Henry VIII and his court. Mor's portraits are characterized by their meticulous attention to detail, lifelike rendering of the human form, and subtle use of color. In this particular portrait, Mor expertly captures the sitter's expressive eyes, which seem to convey a deep intelligence and introspection. The sitter's elegant attire, with its rich fabrics and intricate patterns, is also rendered with great care, reflecting the sitter's wealth and status. Mor's success in England was such that he was knighted by Queen Elizabeth I in 1575, becoming Sir Antony More. He continued to produce portraits for the English aristocracy until his death in 1576. Today, Mor's works are highly sought after by collectors and art enthusiasts, and this portrait is a testament to his enduring legacy as a master of the Renaissance portrait.

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