Glass Frame : Unbelieving Thomas touches Christs wound Quia vidisti me Thoma credidisti beati qui

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Mounted Prints from Liszt Collection

Unbelieving Thomas touches Christs wound Quia vidisti me Thoma credidisti beati qui

Unbelieving Thomas touches Christs wound on Quia vidisti me Thoma credidisti beati qui non viderunt et crediderunt (title on object), Christ shows Thomas his wounds after the crucifixion in the presence of the other apostles. Thomas touching or stretching his hands to touch the wound in Christs side, sometimes Christ leading Thomas hand, Cornelis van Dalen (I) (mentioned on object), 1612 - 1665, paper, engraving, h 427 mm × w 517 mm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19539792

© Artokoloro

1612 1665 Apostles Cornelis Van Dalen Crucifixion Hands Presence Stretching Thomas Title Touch Wound Wounds Mentioned

8"x6" Glass Mount

Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.

Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand

Estimated Image Size (if not cropped) is 20.3cm x 15.2cm (8" x 6")

Estimated Product Size is 22.8cm x 17.7cm (9" x 7")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.

EDITORS COMMENTS
The captivating print titled "Unbelieving Thomas touches Christ's wound Quia vidisti me Thoma credidisti beati qui non viderunt et crediderunt" transports us back to a profound moment in history. In this powerful image, we witness the intimate encounter between Thomas and Jesus after the crucifixion, with the other apostles as witnesses. Thomas, known for his doubt, reaches out to touch the wounds inflicted upon Christ during His crucifixion. The vulnerability and curiosity in Thomas' gesture are palpable as he stretches his hands towards the wound on Christ's side. Sometimes, it is even said that Jesus guides Thomas' hand towards His wounded flesh. Created by Cornelis van Dalen (I) between 1612 and 1665 using paper engraving techniques, this artwork captures a pivotal scene from biblical lore. The intricate details of each figure and their expressions add depth to the narrative unfolding before our eyes. This print serves as a reminder of faith's transformative power. It speaks not only to those who witnessed these events but also resonates with believers throughout centuries who have found solace in their own doubts and sought reassurance through tangible evidence. As we gaze upon this remarkable piece from Liszt Collection, let us reflect on the timeless message it conveys - that belief can transcend doubt when confronted with undeniable truth.

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