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Glass Frame : Samuel Murray Thomas Eakins William O Donovan
Mounted Prints from Liszt Collection
Samuel Murray Thomas Eakins William O Donovan
Samuel Murray, Thomas Eakins and William O Donovan in Eakinss Chestnut Street Studio; Thomas Eakins (American, 1844 - 1916); 1891 - 1892; Platinum print; 8.9 x 9.2 cm (3 1, 2 x 3 5, 8 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18479425
© Liszt Collection
1844 1891 1892 1916 89 X Eakins Platinum Print Studio Thomas Eakins Chestnut Street Samuel Murray
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 20.3cm x 15.2cm (8" x 6")
Estimated Product Size is 22.8cm x 17.7cm (9" x 7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print captures a moment frozen in time, showcasing the esteemed artists Samuel Murray, Thomas Eakins, and William O Donovan. Taken in Eakinss Chestnut Street Studio during the years 1891-1892, this platinum print measures 8.9 x 9.2 cm (3 1/2 x 3 5/8 in. ), offering an intimate glimpse into their world. The composition of the photograph is strikingly simple yet powerful. The three figures are positioned close together, creating a sense of camaraderie and shared artistic passion. Their expressions exude determination and focus as they engage in conversation or perhaps discuss their latest creative endeavors. Thomas Eakins, renowned for his contributions to American art during the late nineteenth century, takes center stage with his commanding presence. His piercing gaze seems to penetrate through the lens, revealing both vulnerability and strength. Samuel Murray's relaxed posture suggests a comfortable familiarity within this artistic circle while William O Donovan stands slightly apart but equally engaged in the discussion at hand. The use of platinum printing adds depth and richness to this historical image; every detail is meticulously preserved on its small scale canvas. As we observe this rare snapshot from over a century ago, we are reminded of the enduring legacy left by these talented individuals who shaped American art history. This print serves as a testament to their dedication and friendship that transcends time itself.
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