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Glass Frame : Portrait Thomas Erastus 1582 oil fir wood 39. 4 x 27. 7 cm
Mounted Prints from Liszt Collection
Portrait Thomas Erastus 1582 oil fir wood 39. 4 x 27. 7 cm
Portrait of Thomas Erastus, 1582, oil on fir wood, 39.4 x 27.7 cm, unsigned. Labeled over the shoulders, left: Anno 1582 ÔÇó April ÔÇó 24 ÔÇó, right: Aetatis 58 ÔÇó, Tobias Stimmer, (?), Schaffhausen 1539-1584 Strassburg
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19588949
© Artokoloro
1582 April Fir Wood Labeled Shoulders Tobias Stimmer Unsigned
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the remarkable "Portrait of Thomas Erastus" painted in 1582. Measuring 39.4 x 27.7 cm, this oil painting on fir wood remains unsigned, adding an air of mystery to its origins. The portrait depicts a distinguished gentleman with great attention to detail and precision. Over the subject's shoulders, we find intriguing labels that provide us with valuable information about the artwork. On the left side, it reads: "Anno 1582 • April • 24" indicating the year and date when this masterpiece was created. Meanwhile, on the right side, we discover "Aetatis 58" revealing that Thomas Erastus was aged fifty-eight at the time of his portrayal. The artist behind this stunning piece is believed to be Tobias Stimmer from Schaffhausen (1539-1584), although some uncertainty surrounds his attribution due to missing signatures or other definitive evidence. Despite its compact size, this portrait emanates a sense of grandeur and significance through its meticulous brushwork and lifelike representation. It serves as a testament to both Erastus' prominence during his era and Stimmer's exceptional talent as an artist
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