Glass Frame : Pigs Teats New Litter Hungry Grunters Sucking John-Bull -Old-Sow
Mounted Prints from Liszt Collection
Pigs Teats New Litter Hungry Grunters Sucking John-Bull -Old-Sow
Artokoloro
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 14046444
© Copyrighted
1756 1815 1806 Chelsea Clipped Impression Death Hand Colored Etching Inlaid James Gillray March 5 Pigs Teats
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This hand-colored etching from the Liszt Collection titled "Pigs Teats New Litter Hungry Grunters Sucking John-Bull -Old-Sow" by James Gillray captures a vivid and satirical scene. Created on March 5,1806, this artwork showcases Gillray's sharp wit and artistic prowess. In this comical yet thought-provoking image, we see a group of hungry piglets eagerly suckling from an enormous sow named John-Bull. The artist cleverly uses anthropomorphism to depict these piglets as greedy little creatures with insatiable appetites. Their determination to feed is palpable in their expressions and actions. Gillray's attention to detail is evident in every stroke of color on this sheet-sized print measuring approximately 9 5/8 x 13 5/8 inches (244 x 346 cm). The clipped impression adds depth and texture to the overall composition, making it visually captivating. The artist's British origins are reflected in his portrayal of social commentary through art. Living in Chelsea during the late eighteenth century, Gillray was known for his political caricatures that often poked fun at prominent figures of his time. While avoiding commercial use details about this particular piece, it is worth noting that Gillray's work continues to be celebrated for its historical significance and artistic brilliance. This print serves as a testament to his talent as well as an intriguing glimpse into the socio-political climate of early nineteenth-century London.
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