Glass Frame : Okumura masanobu no kakejiku o miru yA'jo, Courtesans admiring a painting by Okumura
Mounted Prints from Liszt Collection
Okumura masanobu no kakejiku o miru yA'jo, Courtesans admiring a painting by Okumura
Okumura masanobu no kakejiku o miru yA'jo, Courtesans admiring a painting by Okumura Masanobu. Suzuki, Harunobu, 1725?-1770, artist, [between 1767 and 1769], 1 print : woodcut, color; 29 x 22.1 cm. Print shows an interior scene with two courtesans admiring a screen painting of an actor or beautiful woman by the painter Okumura Masanobu
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12670465
© Quint Lox Limited
1725 1770 1767 1769 Actor Admiring Beautiful Courtesans Harunobu Painter Scene Screen Shows Suzuki Yujo Kakejiku Masanobu Okumura
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this woodcut print titled "Okumura Masanobu no kakejiku o miru yA'jo, Courtesans admiring a painting by Okumura" the renowned artist Suzuki Harunobu transports us to an elegant interior scene. Measuring 29 x 22.1 cm, the vibrant colors and intricate details bring life to this mesmerizing artwork. The print showcases two courtesans engrossed in admiration as they gaze upon a screen painting created by the esteemed painter Okumura Masanobu. The subject of the painting remains ambiguous, depicting either an actor or a beautiful woman. This ambiguity adds an air of mystery and intrigue to the composition. Harunobu's masterful technique is evident in his portrayal of both the courtesans and their surroundings. Every fold of their exquisite kimonos is delicately rendered, while their expressions convey a sense of awe and fascination towards Masanobu's work. The use of woodcut printing lends texture and depth to the image, enhancing its overall visual impact. Through this medium, Harunobu skillfully captures not only the physical beauty but also evokes emotions within his audience. This remarkable piece from between 1767 and 1769 serves as a testament to Suzuki Harunobu's artistic prowess and ability to transport viewers into another world through his prints. Quint Lox has captured its essence perfectly with his caption for Liszt Collection, allowing art enthusiasts worldwide to
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