Glass Frame > Arts > Artists > S > Jan Saenredam
Glass Frame : Love, Jan Saenredam, Anonymous, Hendrick Goltzius, 1601 - 1651
Mounted Prints from Liszt Collection
Love, Jan Saenredam, Anonymous, Hendrick Goltzius, 1601 - 1651
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12736657
© Quint Lox Limited
Caritas Charity Children Embraces Female Feminine Flying Hendrick Goltzius Jan Saenredam Love Personification Putti Suckling Theological Virtues Virtues Wreaths Anonymous Suckles Theological
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this print titled "Love, Jan Saenredam, Anonymous, Hendrick Goltzius" we are transported back to the 17th century and immersed in a scene of pure love and compassion. The image beautifully captures the essence of charity and the theological virtues embodied by a feminine figure. At the center of the composition stands a graceful woman, her tender gaze fixed upon a child nestled in her arms. She lovingly suckles the infant while simultaneously embracing other children who gather around her. Her maternal instinct radiates from every pore as she provides comfort and care to these innocent souls. The ethereal atmosphere is enhanced by flying putti with delicate wings hovering above her head. They adorn her with wreaths made of vibrant flowers, symbolizing purity and beauty. These cherubic figures serve as messengers of divine love, further emphasizing the spiritual significance behind this portrayal. This artwork personifies not only love but also represents one of the three theological virtues: charity. It serves as a reminder that selfless acts of kindness can transcend time and space, leaving an everlasting impact on those who witness or experience them. Quint Lox's masterful capture brings this historical masterpiece to life once again, allowing us to appreciate its timeless message even in our modern world.
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