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Glass Frame : L Assiete au Beurre Crimes Punishments V 762
Mounted Prints from Liszt Collection
L Assiete au Beurre Crimes Punishments V 762
L Assiete au Beurre: Crimes and Punishments V, 762: All right, so hes dead!, 1869. Felix Vallotton (French, 1865-1925). Color lithograph
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18465270
© Liszt Collection
1865 1925 1869 Color Lithograph Crimes Fe Lix Vallotton Felix Vallotton Lassiete Au Beurre
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print titled "L'Assiete au Beurre: Crimes and Punishments V, 762: All right, so he's dead!" by Felix Vallotton takes us back to the year 1869. The French artist showcases his mastery of color lithography in this striking piece from the Liszt Collection. In this image, Vallotton invites us into a scene filled with intrigue and mystery. The vibrant colors draw our attention to a lifeless body lying on the ground, surrounded by onlookers who are seemingly shocked by what they see. The composition creates a sense of tension as we wonder about the circumstances leading up to this moment. Vallotton's meticulous attention to detail is evident in every aspect of this print. From the expressions on each character's face to their carefully crafted attire, he skillfully captures the essence of late 19th-century France. As we delve deeper into the narrative depicted in "L'Assiete au Beurre: Crimes and Punishments V, 762" we are left pondering questions about justice and its consequences. What led to this tragic demise? How will society react? Through his artistry, Vallotton encourages us to reflect upon these timeless themes while appreciating his technical prowess. This print serves as a testament to his ability to captivate viewers through both visual storytelling and artistic technique.
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