Glass Frame : John Raphael Smith (British, 1752 - 1812), Amanthis with Pearls, 1797, mezzotint
Mounted Prints from Liszt Collection
John Raphael Smith (British, 1752 - 1812), Amanthis with Pearls, 1797, mezzotint
John Raphael Smith (British, 1752 - 1812), Amanthis with Pearls, 1797, mezzotint touched with black and white chalk on laid paper [proof]
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12894703
© Quint Lox Limited
1752 1797 1812 Chalk John John Raphael Smith Laid Mezzotint Pearls Proof Raphael Smith Touched White
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
In this print by Quint Lox, we are transported back to the late 18th century with John Raphael Smith's exquisite artwork titled "Amanthis with Pearls". Created in 1797, this mezzotint masterpiece showcases Smith's exceptional talent and attention to detail. The subject of the artwork, Amanthis, is depicted wearing a delicate gown adorned with pearls. Her graceful posture and serene expression exude elegance and sophistication. The artist's use of mezzotint technique adds depth and texture to the image, creating a sense of realism that is truly remarkable. What makes this particular print even more special is that it is a proof on laid paper. This indicates its authenticity as an early impression made during the printing process. The black and white chalk touches further enhance the intricate details of Amanthis' attire and jewelry. Quint Lox has captured every nuance of Smith's original work in this stunning photograph. The lighting highlights each stroke of chalk on the laid paper, allowing us to appreciate the artistry involved in creating such a masterpiece. This print from Liszt Collection serves as a testament to both John Raphael Smith's artistic prowess and Quint Lox's skillful photography. It invites us into a world where beauty meets craftsmanship, leaving us captivated by its timeless allure.
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