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Glass Frame : Instruments catching birds Requirements construction
Mounted Prints from Liszt Collection
Instruments catching birds Requirements construction
Instruments for catching birds, Requirements for a construction of a trap for catching birds. Catching animals, Bernard Picart (workshop of), Amsterdam, 1730, paper, etching, h 284 mm × w 100 mm h 384 mm × w 244 mm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19542619
© Artokoloro
1730 Bernard Picart Construction Instruments Trap Workshop Requirements
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print from the Liszt Collection transports us back to Amsterdam in 1730, where Bernard Picart and his workshop meticulously crafted instruments for catching birds. The intricate etching on paper showcases the delicate yet ingenious construction of a trap designed specifically for capturing these feathered creatures. In this image, we are presented with an array of tools and materials that were essential requirements for building such traps. The craftsmanship is evident as each instrument is depicted with remarkable detail, highlighting the skill and precision involved in their creation. The composition invites us to ponder upon the relationship between humans and animals during that era. It serves as a reminder of how our ancestors interacted with nature, not only appreciating its beauty but also harnessing it for various purposes. While this artwork does not mention commercial use explicitly, it sparks curiosity about how these bird-catching instruments might have been utilized at the time. Perhaps they were employed by avid collectors or researchers seeking to study avian species up close or even by individuals who relied on trapping birds for sustenance. Regardless of its specific purpose, this print offers a glimpse into a bygone era when craftsmanship thrived and humans sought innovative ways to engage with their natural surroundings. It stands as a testament to both human ingenuity and our ever-evolving relationship with the animal kingdom throughout history.
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