Glass Frame : Initial O: The Virgin and Child Enthroned
Mounted Prints from Liszt Collection
Initial O: The Virgin and Child Enthroned
Initial O: The Virgin and Child Enthroned; Master of the Llangattock Hours, Flemish, active about 1450 - 1460; Bruges (illuminated), Belgium, Europe; 1450s; Tempera colors, gold leaf, gold paint, and ink on parchment; Leaf: 26.4 x 18.4 cm (10 3/8 x 7 1/4 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12654673
© Quint Lox Limited
1450 1450s 1460 Belgium Bruges Colors Enthroned Flemish Hours Illuminated Initial Llangattock Master Master Llangattock Hours Parchment
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
EDITORS COMMENTS
This print showcases the exquisite artwork of "Initial O: The Virgin and Child Enthroned" by the Master of the Llangattock Hours, a Flemish artist active in the mid-15th century. Created in Bruges, Belgium, this illuminated manuscript is a testament to the artistic brilliance of that era. The image depicts a regal Virgin Mary seated on an ornate throne with her divine child cradled tenderly in her arms. Both figures are beautifully rendered with delicate brushstrokes and vibrant tempera colors that bring them to life. The use of gold leaf and paint adds a touch of opulence and grandeur to this sacred scene. Crafted on parchment, this leaf measures approximately 26.4 x 18.4 cm (10 3/8 x 7 1/4 in. ), making it a precious artifact from history. Its intricate details and meticulous craftsmanship make it an exceptional example of medieval illumination. The Master of the Llangattock Hours has skillfully captured the serene bond between mother and child, evoking feelings of love, tenderness, and devotion. This artwork serves as a visual representation of faith during that period while also showcasing the technical mastery achieved by Flemish artists. As we admire this remarkable piece from centuries past, we are reminded not only of its aesthetic beauty but also its historical significance as part of our cultural heritage. It stands as a testament to human creativity throughout time and invites us into an enchanting world where
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