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Glass Frame : Death Part Two Opus XIII Print 4 Genius Artist
Mounted Prints from Liszt Collection
Death Part Two Opus XIII Print 4 Genius Artist
On Death Part Two, Opus XIII Print 4: Genius (Artist), 1903. Max Klinger (German, 1857-1920), Felsing, Berlin. Etching; sheet: 50.9 x 40 cm (20 1/16 x 15 3/4 in.); platemark: 44.6 x 34.5 cm (17 9/16 x 13 9/16 in.); to borderline: 41.6 x 31.5 cm (16 3/8 x 12 3/8 in.)
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18460141
© Liszt Collection
1857 1920 Berlin Genius Max Klinger
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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Death Part Two Opus XIII Print 4 Genius Artist
EDITORS COMMENTS
is a captivating artwork created by Max Klinger in 1903. This etching, measuring 50.9 x 40 cm, showcases the incredible talent and imagination of the German artist. In this print, Klinger delves into the theme of death once again, exploring its profound impact on artistic genius. The composition portrays a figure representing Death standing before an artist who appears to be deep in thought. The intricate details and delicate lines of the etching bring out the intensity and emotion captured within this scene. Klinger's mastery lies not only in his technical skill but also in his ability to convey complex ideas through visual storytelling. Through this print, he invites viewers to contemplate the relationship between mortality and creativity – how death can both inspire and haunt artists throughout their lives. The work was published by Felsing in Berlin during a time when Klinger was at the height of his career. Known for his innovative approach to printmaking, Klinger pushed boundaries with each piece he created. This particular print from Liszt Collection serves as a testament to Max Klinger's status as one of Germany's most influential artists of his time. It offers viewers an opportunity to engage with profound themes while appreciating the remarkable craftsmanship that went into its creation.
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