Glass Frame : Captain Macheath Upbraided by Polly and Lucy in the Beggars Opera
Mounted Prints from Liszt Collection
Captain Macheath Upbraided by Polly and Lucy in the Beggars Opera
Captain Macheath Upbraided by Polly and Lucy in the Beggars Opera, 1826 Inscribed in lower left: " [???] | PRAYER", Gilbert Stuart Newton, 1794-1835, British
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12647655
© Quint Lox Limited
1794 1826 1835 Alcohol Beggars Captain Discipline Drinking Food Gilbert Glasses Group Inscribed Lower Lucy Newton Oil On Canvas Opera Performance Prayer Stuart Theater Wine Macheath Polly
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
In this photo print, we are transported to the world of "Captain Macheath Upbraided by Polly and Lucy in the Beggars Opera". Painted by Gilbert Stuart Newton in 1826, this oil on canvas masterpiece captures a dramatic moment filled with tension and emotion. The scene unfolds within a dimly lit room where Captain Macheath finds himself surrounded by two women, Polly and Lucy. The artist skillfully portrays their disapproval through their stern expressions and pointed gestures. Their eyes lock onto the captain as they confront him about his actions, demanding answers. The composition is rich with symbolism. Glasses of wine stand half-empty on a table nearby, suggesting indulgence and excess. Food remnants scattered across the table hint at a lavish feast that has been interrupted by this confrontation. These details serve as reminders of Macheath's reckless lifestyle. As viewers, we can almost feel the palpable energy in the air - an atmosphere charged with anger, disappointment, and perhaps even betrayal. The characters' body language speaks volumes about their relationships: Polly's hand rests firmly on her hip while Lucy leans forward assertively. Newton's masterful use of light adds depth to each figure's expression while highlighting their individuality within the group portrait. Through his brushstrokes, he brings life to these fictional characters from John Gay's famous opera. This print invites us into an intense moment of discipline within the theater world - reminding us that even those who seem larger than life must face consequences for
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