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Glass Frame : Blanche Gilroy Classical Costume Reclining Banjo
Mounted Prints from Liszt Collection
Blanche Gilroy Classical Costume Reclining Banjo
Blanche Gilroy in Classical Costume, Reclining with Banjo; Thomas Eakins (American, 1844 - 1916); about 1885; Albumen silver print
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18493431
© Liszt Collection
1844 1885 1916 Reclining Thomas Eakins Banjo Classical Costume
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print from the Liszt Collection showcases the incredible talent and artistry of Blanche Gilroy, a renowned classical performer. In this image, captured around 1885 by the esteemed American artist Thomas Eakins, we see Blanche Gilroy reclining gracefully while holding a banjo. Dressed in an exquisite classical costume, Gilroy exudes elegance and poise as she effortlessly balances the banjo on her lap. The composition is strikingly beautiful, with soft lighting that accentuates every delicate detail of her attire and instrument. Eakins' meticulous use of albumen silver print adds depth to the photograph, enhancing its timeless quality. Blanche Gilroy's passion for music is palpable through this image. Her serene expression suggests a moment of introspection or perhaps anticipation before performing a mesmerizing piece on her beloved banjo. This photograph captures not only her technical skill but also her ability to convey emotion through music. As viewers gaze upon this remarkable print, they are transported back in time to witness an extraordinary artist at work. It serves as a testament to both Gilroy's talent and Eakins' artistic prowess in capturing beauty through photography. Whether displayed in a gallery or cherished within one's personal collection, this print is sure to captivate all who encounter it – an enduring tribute to Blanche Gilroy's legacy as well as Thomas Eakins' mastery behind the lens.
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