Glass Frame : The annunciation to the shepherd, Cornelis Saftleven, 1630 - 1650
Mounted Prints from Liszt Collection
The annunciation to the shepherd, Cornelis Saftleven, 1630 - 1650
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 12762017
© Quint & Lox Limited
1630 1650 Annunciation Cornelis Saftleven Shepherd Artistic Work Gallery Art Museum Art
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
In this print titled "The Annunciation to the Shepherd" by Cornelis Saftleven, we are transported back in time to witness a pivotal moment in biblical history. Created between 1630 and 1650, this exquisite piece of art showcases Saftleven's mastery of his craft. The scene unfolds with an ethereal glow as heavenly light bathes the humble shepherds who have been chosen as witnesses to an extraordinary event. Their faces reflect awe and wonderment as they receive the angelic message announcing the birth of Jesus Christ. Saftleven's attention to detail is evident in every brushstroke, from the intricate folds of clothing to the delicate expressions on each shepherd's face. The artist skillfully captures a sense of serenity amidst their rustic surroundings, emphasizing the divine nature of this encounter. This artwork not only serves as a visual representation of religious significance but also highlights Saftleven's ability to convey emotion through his work. The soft hues and gentle lines evoke a sense of tranquility that resonates with viewers across centuries. As we gaze upon this remarkable print from Liszt Collection, we are reminded once again of art's power to transport us beyond our present reality. It invites us into a world where faith intersects with humanity, leaving us inspired and contemplative long after our eyes have left its surface.
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