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Glass Frame : 1826?-1869 1859. 23. 7 35. 7 Bridge Hiroshige Kyoto

1826?-1869 1859. 23. 7 35. 7 Bridge Hiroshige Kyoto



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1826?-1869 1859. 23. 7 35. 7 Bridge Hiroshige Kyoto

Kyōto tōfukuji tsūtenkyō, Tsūten Bridge, Tōfukuji Temple at Kyōto. Utagawa, Hiroshige, 1826?-1869, artist, 1859. 1 print : woodcut, color ; 35.7 x 23.7 cm. Print shows the Tōfukuji Temple atop a mountain with long covered corridor leading down the mountain and spanning a river at the Tsūten Bridge, in Kyōto

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12670167

© Quint Lox Limited

1826 1869 1859 Bridge Corridor Covered Hiroshige Kyoto Leading Long Mountain Shows Spanning Temple Utagawa Tofukuji


7"x5" Glass Mount

Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.

Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand

Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")

Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.


EDITORS COMMENTS
Step into the serene and mystical world of 19th-century Japan with this breathtaking print by Utagawa Hiroshige, created in 1859. Titled 'Kyōto tōfukuji tsūtenkyō', this stunning woodcut depicts the majestic Tōfukuji Temple perched atop a mountain, its long covered corridor winding down the slope and spanning a river at the iconic Tsūten Bridge. The vibrant colors and intricate details transport us to a bygone era, where traditional Japanese architecture meets natural beauty. Hiroshige's masterful use of color and composition creates a sense of depth and tranquility, drawing our gaze to the temple's imposing structure and the tranquil surroundings. The bridge itself becomes a symbol of connection between heaven and earth, as well as between past and present. This exquisite print is not only a testament to Hiroshige's artistic skill but also an insight into Japan's rich cultural heritage during the Edo period. It invites us to pause, reflect, and appreciate the beauty that lies at the intersection of nature, architecture, and spirituality.

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1826?-1869 1859. 23. 8 35. 7 Hiroshige Province
1826?-1869 1859. 23. 8 35. 7 Hiroshige Province

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