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Glass Frame : Portrait of Thomas Faed in his Studio, 19th century. Artist: John Ballantyne
Mounted Prints from Heritage Images
Portrait of Thomas Faed in his Studio, 19th century. Artist: John Ballantyne
Portrait of Thomas Faed in his Studio, 19th century. From a private collection
Heritage Images features heritage image collections
Media ID 14866796
© Art Media / Heritage-Images
Adult Arts Entertainment Busy Concentrating Concentration Creativity Easel Examining Eyeing Faed Full Body Human Being Illustration And Painting Individual Indoor Leisure Activity Person Pondering Portrait Painter Portraiture Seriousness Solo Studio Studying Thinking Thomas Faed Thoughtful Viewing Whole Body Art Studio Ballantyne
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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Portrait of Thomas Faed in his Studio, 19th century
EDITORS COMMENTS
. In this print by John Ballantyne, we are transported back to the bustling art studio of renowned Scottish painter Thomas Faed. The scene is alive with color and concept as Faed stands at his easel, deep in concentration. His thoughtful gaze reveals a man fully immersed in his craft. Surrounded by furniture and art supplies, the studio exudes an atmosphere of creativity and industry. A female figure seated on a chair adds a touch of elegance to the composition, her presence suggesting collaboration or perhaps admiration for Faed's work. The horizontal format allows us to take in every detail of this intimate interior space. Paintings adorn the walls, showcasing Faed's talent as a portrait painter. It is evident that he is not only examining his own creations but also eyeing new subjects for future masterpieces. As we study this image further, it becomes clear that Ballantyne has skillfully captured both the physicality and mental state of an artist at work. From Faed's focused expression to the meticulous arrangement of objects within the studio, every element contributes to conveying a sense of seriousness and dedication. This print serves as a testament to the enduring legacy of artists like Thomas Faed and their unwavering commitment to their profession. Through its rich colors and intricate details, it invites us into an era where artistry thrived amidst busy studios and contemplative minds.
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