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Glass Frame : Plates 5-7, from Nella Venuta, 1764. Creator: Franz Edmund Weirotter
Mounted Prints from Heritage Images
Plates 5-7, from Nella Venuta, 1764. Creator: Franz Edmund Weirotter
Plates 5-7, from Nella Venuta, 1764
Heritage Images features heritage image collections
Media ID 36192616
© Heritage Art/Heritage Images
Amorini Cherubim Delavallee Poussin étienne De Lavallée Poussin Folded Franz Edmund Weirotter Lavallee Poussin Etienne De Nella Venuta In Roma The Arrival In Rome Weirotter Franz Edmund Angelic Cherubs Laid Paper Putti
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Plates 5-7 from Nella Venuta, a series of four etchings in black on ivory laid paper created by Franz Edmund Weirotter in 1764, offer a captivating depiction of the arrival in Rome as described in the literary work "Nella Venuta in Roma" by Étienne de Lavallée Poussin. These etchings, now housed at the Art Institute of Chicago, provide a glimpse into the 18th century Austrian artist's interpretation of the ancient Roman culture. The series begins with Plate 5, titled "The Arrival of the Guy in Rome," which shows a man, likely the protagonist of the story, being greeted by a group of cherubs or putti. These angelic figures, symbolizing the joy and beauty of Rome, welcome him with open arms, setting the tone for his journey through the Eternal City. Plate 6, titled "Amorini," showcases a scene of various putti engaged in playful activities, further emphasizing the theme of joy and merriment associated with Rome. The delicate, intricate lines and the use of black and white contrast create a sense of timelessness and elegance. Plate 7, entitled "Cherubs," offers a closer look at these mythological figures, their youthful faces and slender bodies captured in meticulous detail. The etching showcases Weirotter's mastery of the medium, as he skillfully brings these figures to life on paper. These etchings serve as a testament to the rich artistic and cultural heritage of the 18th century, offering a glimpse into the world of ancient Rome as imagined by a talented Austrian artist. The intricate details, the use of black and white contrast, and the timeless beauty of the subjects make these etchings a must-see for anyone interested in art, history, or literature.
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