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Glass Frame : Nicephorus and iconoclasts, 1066. Artist: Theodore of Caesarea
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Nicephorus and iconoclasts, 1066. Artist: Theodore of Caesarea
Nicephorus and iconoclasts, 1066. Manuscript page in Greek, with Pslam 25, verses 4 and 5, showing Nicephorus, Patriarch of Constantinople, and Theodore the Studite with an image of Christ. Below, in discussion with the Emperor, is Leo the Armenian. On the right, iconoclasts deface the image of Christ. Illustration from the Theodore Psalter/Studion Psalter written and illustrated by Theodore of Caesarea, produced at the Studios Monastery, Constantinople, 1066
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Media ID 14870824
© Art Media / Heritage-Images
11th Century 8th Century Byzantine Byzantium Caesarea Eleventh Century Greek Orthodox Church Halo Iconoclasm Iconoclast Leo Iii Throne Defacing Nicephorus Patriarch Of Constantinople Print Collector3
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
Theodore of Caesarea's iconic print, "Nicephorus and iconoclasts, 1066" captures a pivotal moment in Byzantine history. The image depicts the clash between religious tradition and political power during the Iconoclastic Controversy of the 8th and 9th centuries. In the center of the composition, we see Nicephorus, Patriarch of Constantinople, and Theodore the Studite standing proudly with an image of Christ. Their halos symbolize their sanctity as defenders of icons within Greek Orthodox Christianity. Below them stands Emperor Leo III, known as Leo the Armenian, engaged in a discussion about iconoclasm. To the right side of this scene are iconoclasts defacing an image of Christ. This represents those who believed that religious images were idolatrous and should be destroyed. The contrast between these two groups highlights the tension that existed within Byzantium at this time. The intricate details in Theodore's artwork showcase his mastery as both a writer and illustrator. This particular illustration is taken from his renowned work called "Theodore Psalter/Studion Psalter". Produced at Studios Monastery in Constantinople in 1066, it remains a testament to his artistic skill and dedication to preserving religious traditions through visual representation. This print serves as a powerful reminder not only of historical events but also of how art can capture complex ideas and emotions. It invites viewers to reflect on themes such as faith versus authority, cultural heritage preservation, and freedom expression – topics that continue to resonate today.
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