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Glass Frame : None of the two (Ni L Un, Ni L Autre), Early 19th cen Artist: Fleischmann, Friedrich (1791-1834)
Mounted Prints from Heritage Images
None of the two (Ni L Un, Ni L Autre), Early 19th cen Artist: Fleischmann, Friedrich (1791-1834)
None of the two (Ni L Un, Ni L Autre), Early 19th cen.. From a private collection
Heritage Images features heritage image collections
Media ID 14896884
© Fine Art Images
Abundance Affluence Barock Betrothal Bride Cornucopia Depts Eternity Fleischmann Futility Luxuriancy Money Opulence Prosperity Riche Riches Richness Sinful Stinginess Transience Wealth Wealthiness Wedding
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "None of the two (Ni L Un, Ni L Autre)" by Friedrich Fleischmann takes us back to the early 19th century in Germany. From a private collection, this artwork beautifully captures the essence of wealth and marriage during that time. The image portrays a scene filled with opulence and abundance. A bride stands at the center, adorned in luxurious garments symbolizing prosperity and affluence. Surrounding her are elements representing riches and eternity - from a cornucopia overflowing with treasures to symbols of romanticism and betrothal. Yet, amidst all this grandeur lies an underlying theme of futility and transience. The artist skillfully incorporates allegorical figures hinting at sinfulness, stinginess, and even the fleeting nature of wealth itself. This juxtaposition between richness and emptiness adds depth to the composition. Fleischmann's etching showcases his mastery in graphic arts while drawing inspiration from baroque genre paintings, mythology, allegory, literature, and fine art images. Through intricate details and meticulous craftsmanship, he brings forth a thought-provoking narrative about societal values surrounding money and material possessions. This print invites viewers to contemplate themes such as greed versus generosity or eternal happiness versus temporary pleasures. It serves as a reminder that true prosperity cannot solely be measured by material wealth but rather by love, compassion, and meaningful connections beyond superficiality.
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