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Glass Frame : Laozi, 1943. Artist: Roerich, Nicholas (1874-1947)
Mounted Prints from Heritage Images
Laozi, 1943. Artist: Roerich, Nicholas (1874-1947)
Laozi, 1943. Found in the collection of the State Oriental Art Museum, Moscow
Heritage Images features heritage image collections
Media ID 14892076
© Fine Art Images
Himalayas Laozi Nicholas 1874 1947 Roerich Tempera On Canvas Tibet Water Buffalo Lao Tse Symbolism
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the artwork "Laozi" created by Nicholas Roerich in 1943. The painting, now housed in the State Oriental Art Museum in Moscow, captures the essence of Laozi, a renowned Chinese philosopher and writer from ancient times. Roerich's mastery is evident as he skillfully depicts Laozi amidst a backdrop that combines elements of China, Russia, and the Himalayas. The focal point of this piece is Laozi himself, portrayed with wisdom and serenity on his face. He stands beside a majestic water buffalo, symbolizing strength and tranquility. The artist's use of tempera on canvas brings out vibrant colors that enhance the mythical aura surrounding Laozi. Roerich expertly weaves together various symbols to convey deeper meanings within this composition. The inclusion of Tibet signifies spirituality and enlightenment associated with Laozi's teachings. Moreover, the fusion of genre, mythology, allegory, and literature creates an intricate tapestry that invites viewers to explore different layers of interpretation. As one gazes upon this fine art image by Roerich, they are transported into a realm where philosophy meets artistic expression. It serves as a testament to both Laozi's enduring influence on Chinese culture and Roerich's talent for capturing profound concepts through visual representation.
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