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Glass Frame : Frederic Thompsons Musical Satire Girlies, 1911. Creator: Unknown
Mounted Prints from Heritage Images
Frederic Thompsons Musical Satire Girlies, 1911. Creator: Unknown
Frederic Thompsons Musical Satire " Girlies", 1911. Front cover of the operatic edition of a musical, featuring songs such as " Honolulu Rag" and " Since Hiram Went to Yale". The show was composed by Egbert Van Alstyne, with lyrics by Harry Williams, and the book (or libretto) by George V Hobart. [Jerome H. Remick & Co. London, 1911]
Heritage Images features heritage image collections
Media ID 19299165
© The Print Collector/Heritage Images
Cover Egbert Egbert Van Frederic George V Hobart Musical Sheet Music Song Thompson Graphic Design Remick Satirical
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This vibrant print captures the essence of Frederic Thompson's Musical Satire "Girlies" from 1911. The front cover of the operatic edition showcases a stunning design that immediately draws the viewer's attention. With its bold colors and intricate graphic design, this artwork epitomizes the artistic flair of the early 20th century. The musical itself, composed by Egbert Van Alstyne with lyrics by Harry Williams, offers a delightful blend of entertainment and satire. Songs like "Honolulu Rag" and "Since Hiram Went to Yale" promise a lively performance filled with catchy tunes and clever wordplay. The libretto by George V Hobart adds depth to the storyline, ensuring an engaging narrative alongside the memorable music. Although created by an unknown artist, this print exemplifies their talent in capturing both the spirit of the era and the essence of Thompson's production. It serves as a testament to their skill in translating theatrical performances into visual art forms. Preserved through time, this print allows us to appreciate not only Thompson's work but also provides insight into early 20th-century arts and entertainment culture. Whether displayed in a gallery or cherished as part of a private collection, this artwork is sure to spark curiosity among viewers who are drawn to its historical significance and artistic beauty.
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