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Glass Frame : PHYSIOGNOMY, 1531. Eyes of an unreliable man, and those of an ignorant man. Woodcut
Mounted Prints from Granger
PHYSIOGNOMY, 1531. Eyes of an unreliable man, and those of an ignorant man. Woodcut
PHYSIOGNOMY, 1531.
Eyes of an unreliable man, and those of an ignorant man. Woodcut, 1531, from Johannes Indagines Chiromantia
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12407790
1531 Face Johann Johannes Physiognomy Ignorance
8"x6" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 8x6 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 20.3cm x 15.2cm (8" x 6")
Estimated Product Size is 22.8cm x 17.7cm (9" x 7")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
EDITORS COMMENTS
This print from Granger Art on Demand takes us back to the Renaissance era, specifically to the year 1531. Titled "PHYSIOGNOMY, 1531. Eyes of an unreliable man, and those of an ignorant man" this woodcut is a fascinating depiction of two distinct facial expressions. The first set of eyes belongs to an unreliable man. The artist skillfully captures the essence of deceit and untrustworthiness in these eyes. They seem shifty and evasive, with a glint that hints at hidden motives or dishonesty. The intricate details in the woodcut bring out every nuance, making it impossible not to be drawn into their enigmatic gaze. In contrast, the second pair of eyes represents ignorance. These eyes lack curiosity and knowledge; they appear dull and vacant, devoid of any spark or intellectual depth. Through this woodcut's masterful craftsmanship, we can almost feel the weight of ignorance weighing down upon them. Johannes Indagines Chiromantia created this thought-provoking piece during a time when physiognomy was highly regarded as a means to understand human character based on physical features alone. This print serves as a testament to how deeply people believed in such practices during that period. As we admire this historical artwork today, let us reflect on how our perception has evolved over time while appreciating its artistic value and cultural significance within Renaissance society.
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