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Glass Frame : DEVIL AND WITCH, 1555. The Devil carrying away a witch
Mounted Prints from Granger
DEVIL AND WITCH, 1555. The Devil carrying away a witch
DEVIL AND WITCH, 1555.
The Devil carrying away a witch. Woodcut from Olaus Magnus Historia de gentibus septentrionalibius, 1555
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12410498
1555 Carrying Equestrian Evil Historia De Gentibus Septentri Magnus Mystic Mysticism Occult Olaus Personification Satan Ugly Witch
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")
Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.
DEVIL AND WITCH, 1555 - A Haunting Encounter of Good and Evil
EDITORS COMMENTS
. In this woodcut print from 1555, we are transported to the mystical realm of the Renaissance era. The scene depicts a chilling encounter between a devil and a witch, personifying the eternal battle between good and evil. The devil, an equestrian figure with grotesque features, rides upon a powerful horse as he carries away the witch. With its intricate details carved into wood, this print showcases the artistic mastery of Olaus Magnus in his Historia de gentibus septentrionalibius. The composition exudes an air of mysticism and occult symbolism prevalent during that time period. The dark middle ground creates an eerie atmosphere that heightens our sense of foreboding. As viewers, we can almost feel the tension between these two opposing forces. This woodcut serves as both a historical document and a visual representation of society's fascination with supernatural beliefs during the Renaissance. It reminds us how deeply ingrained mysticism was in people's lives at that time. As we gaze upon this print today, it is impossible not to be captivated by its enigmatic allure. It stands as a testament to humanity's enduring curiosity about unseen realms and our eternal struggle to comprehend forces beyond our understanding.
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