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Glass Frame : DANCE OF DEATH, 1538. Death and the Pope
Mounted Prints from Granger
DANCE OF DEATH, 1538. Death and the Pope
DANCE OF DEATH, 1538.
Death and the Pope. Woodcut from Hans Holbein the Youngers Dance of Death, published in 1538
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Media ID 12411338
1538 Allegory Ceremony Dance Of Death Death Grim Reaper Hans Holbein Leader Personification Plague Pope Skeleton Victim Younger
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print titled "DANCE OF DEATH, 1538. Death and the Pope" takes us back to the Renaissance era, where art was used as a powerful medium for social commentary. Created by Hans Holbein the Younger in 1538, this woodcut from his renowned series called Dance of Death is an allegorical representation of mortality. In this particular scene, we witness Death personified as a skeletal figure engaging with none other than the Pope himself. The grim reaper's presence serves as a reminder that death spares no one, not even those in positions of power and authority. It symbolizes the transient nature of life and highlights our shared vulnerability before death's inevitable embrace. Holbein masterfully captures both the solemnity and theatricality of this encounter through intricate details and rich symbolism. The pope is depicted wearing his ceremonial attire while engaged in a dance-like interaction with Death, emphasizing how death can infiltrate even the most sacred spaces. This woodcut holds historical significance beyond its artistic value; it emerged during a time when Europe was ravaged by plagues and epidemics. It served as a poignant reflection on mortality amidst widespread suffering. As we gaze upon this thought-provoking image today, it invites us to contemplate our own mortality and reflect on what truly matters in life – reminding us that regardless of status or position, we are all united under the shadowy specter of Death itself.
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