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Glass Frame : DANCE OF DEATH, 1538. Death and the Peddler. Woodcut by Hans Holbein the Younger
Mounted Prints from Granger
DANCE OF DEATH, 1538. Death and the Peddler. Woodcut by Hans Holbein the Younger
DANCE OF DEATH, 1538.
Death and the Peddler. Woodcut by Hans Holbein the Younger, from The Dance of Death, published in 1538
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12410514
1538 Dance Of Death Death Grim Reaper Hans Holbein Peddler Personification Plague Skeleton Victim Younger
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
In this woodcut print titled "DANCE OF DEATH, 1538. Death and the Peddler" created by the talented Hans Holbein the Younger, we are transported to a haunting scene from the Renaissance era. The image depicts Death personified as a grim reaper, engaging in a macabre dance with an unsuspecting peddler. Holbein's intricate craftsmanship is evident in every detail of this woodcut, showcasing his mastery of capturing both beauty and darkness. The composition draws us into a world where life and death converge, reminding us of our mortality. The peddler stands frozen in fear as he encounters Death himself. With skeletal features and draped in flowing robes, Death extends his bony hand towards the terrified victim. This encounter serves as a chilling reminder that no one can escape their ultimate fate. This woodcut print not only showcases Holbein's artistic talent but also provides insight into medieval society's preoccupation with death during times of plague and uncertainty. It serves as a powerful memento mori – a reflection on life's transience and the inevitability of death. As we gaze upon this historical masterpiece, it evokes contemplation about our own mortality while appreciating Holbein's skillful portrayal of human vulnerability amidst an unforgiving reality.
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