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Glass Frame > Soldiers in World War I

Glass Frame : WORLD WAR I: MASKS, 1918. Masks showing the work done by Anna Coleman Ladd of the American Red Cross. The top row are casts taken from soldiers mutilated faces, the bottom row shows masks of their faces before their injuries, made from pre-war photographs. On the table are masks made to fit over the disfigured part of the face. Photograph, 1918

WORLD WAR I: MASKS, 1918. Masks showing the work done by Anna Coleman Ladd of the American Red Cross. The top row are casts taken from soldiers mutilated faces, the bottom row shows masks of their faces before their injuries, made from pre-war photographs. On the table are masks made to fit over the disfigured part of the face. Photograph, 1918



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WORLD WAR I: MASKS, 1918. Masks showing the work done by Anna Coleman Ladd of the American Red Cross. The top row are casts taken from soldiers mutilated faces, the bottom row shows masks of their faces before their injuries, made from pre-war photographs. On the table are masks made to fit over the disfigured part of the face. Photograph, 1918

WORLD WAR I: MASKS, 1918.
Masks showing the work done by Anna Coleman Ladd of the American Red Cross. The top row are casts taken from soldiers mutilated faces, the bottom row shows masks of their faces before their injuries, made from pre-war photographs. On the table are masks made to fit over the disfigured part of the face. Photograph, 1918

Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age

Media ID 6209567

1918 Anna Artifact Cast Coleman Disabled Face Injury Mask Prosthesis Red Cross World War Ladd Mutilation


7"x5" Glass Mount

Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.

Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand

Estimated Image Size (if not cropped) is 17.7cm x 12.7cm (7" x 5")

Estimated Product Size is 20.3cm x 16.2cm (8" x 6.4")

These are individually made so all sizes are approximate

Artwork printed orientated as per the preview above, with landscape (horizontal) orientation to match the source image.


FEATURES IN THESE COLLECTIONS

> Historic > Ancient artifacts and relics

> Historic > World War I and II > Soldiers

> Historic > World War I and II > World War I

> Soldiers in World War I

> Granger Art on Demand > Red Cross and Salvation Army


EDITORS COMMENTS
This powerful print captures the profound impact of World War I on soldiers and the remarkable work done by Anna Coleman Ladd of the American Red Cross. The top row displays casts taken from soldiers' mutilated faces, a haunting reminder of the devastating injuries they endured during battle. In stark contrast, the bottom row showcases masks meticulously crafted by Ladd using pre-war photographs, revealing their faces as they were before their disfigurement. The table in the photograph holds additional masks designed to fit over specific areas of facial mutilation, providing hope for these brave individuals to regain some semblance of normalcy. Each mask represents not only a physical prosthesis but also a symbol of resilience and restoration amidst unimaginable trauma. Dating back to 1918, this artifact serves as a poignant testament to both the horrors faced by soldiers during World War I and the compassion shown by individuals like Anna Coleman Ladd. Through her skillful artistry and dedication, she sought to alleviate some of their suffering while honoring their individuality. As we reflect upon this image today, let us remember those who sacrificed so much for our freedom and recognize that even in times of darkness, there are always rays of light shining through thanks to acts of kindness and humanity such as those exemplified by Anna Coleman Ladd's work with masks.

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