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Glass Frame : KING: MENOMINEE, 1835. Chenannoquot. Menominee. Oil on wood, 1835, by Charles Bird King
Mounted Prints from Granger
KING: MENOMINEE, 1835. Chenannoquot. Menominee. Oil on wood, 1835, by Charles Bird King
KING: MENOMINEE, 1835.
Chenannoquot. Menominee. Oil on wood, 1835, by Charles Bird King
Granger holds millions of images spanning more than 25,000 years of world history, from before the Stone Age to the dawn of the Space Age
Media ID 12227924
1835 Bird Feather Headdress Medal Menominee
7"x5" Glass Mount
Wall mounted or free-standing, these black edged glass frames feature a smooth chamfered edge and a stylish black border (on back face of the glass). Manufactured from 4mm thick glass, Glass Mounts are a durable, professional way of displaying and protecting your prints. Your 7x5 print is slotted into the back of the frame so can easily be changed if needed.
Tempered Glass Mounts are ideal for wall display, plus the smaller sizes can also be used free-standing via an integral stand
Estimated Image Size (if not cropped) is 12.7cm x 17.7cm (5" x 7")
Estimated Product Size is 16.2cm x 20.3cm (6.4" x 8")
These are individually made so all sizes are approximate
Artwork printed orientated as per the preview above, with portrait (vertical) orientation to match the source image.
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EDITORS COMMENTS
This print showcases the artwork "KING: MENOMINEE, 1835. Chenannoquot. Menominee" by Charles Bird King. Painted in 1835, this oil on wood masterpiece beautifully captures the essence of a Menominee man named Chenannoquot. In this portrait, Chenannoquot stands proudly as he gazes directly at the viewer with an air of dignity and strength. The attention to detail is remarkable, from the intricate feather headdress adorning his head to the fine clothing that drapes his body. Charles Bird King's talent shines through in every brushstroke, capturing not only Chenannoquot's physical features but also conveying a sense of his character and heritage. The artist skillfully portrays the rich cultural identity of this Native American man. The painting also highlights significant elements such as a medal worn around Chenannoquot's neck, symbolizing recognition or honor bestowed upon him by another party. This detail adds depth and intrigue to the composition. Overall, this extraordinary piece exemplifies early American fine art at its finest. It serves as a powerful reminder of our nation's diverse history and pays tribute to indigenous communities like the Menominee tribe who have contributed greatly to our collective heritage.
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